While some evangelicals may not know it, a large number of
believers regularly sing a doxology called the Gloria Patri:
(Traditional musical setting by Cynthia Clawson)
The problem comes from the second to the last line.
By 1850, Charles Finney had fully incorporated his three-stage
revival structure into the Sunday worship of the First Congregational Church in
Oberlin, Ohio. His "new measures" for revivals were already widely
known through his writings. Most American churches had no set structure or
liturgy for Sunday worship. Merging Sunday night revivals into Sunday morning
worship was an idea whose time had come.
Gifts of love are wrapped in marvelous subtlety and nuance
that dramatically change them. The change is more fundamental than the fabled
curse of King Midas, turning ordinary cheap tableware into solid gold with a
touch. To employ the Aristotelian language Thomas Aquinas brings to play in his
teachings on the Eucharist, we can wholly change the substance of a gift, while
leaving the accidents untouched.*
Welcomed or not, the contemporary music-centered approach to worship that has been both dominant and effective most large and mega church worship service is being challenged. This challenge, however, does not come from traditionalists who are still demanding a return to the Hammond B3 and southern gospel. This challenge, which has been slowly growing over the past decade, is coming from the same age-group that once pioneered praise bands and raising hands: Teens and young adults.